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In an evening dedicated in large part to journalism, O’Donnell cited journalists who have been detained across the world, including Americans Evan Gershkovich in Russia and Austin Tice, who is believed to be held in Syria. Families of both men were in attendance as they have been at previous dinners. The modern version of this style has settled into a somewhat less showy form. Roofs are commonly steeply raked, multi-level, and intersecting with windows set into their triangular front-facing gables. Grander homes might offer elaborately decorated wooden porticoes and eaves as well as turreted towers and sweeping verandas. Ranch-style homes have a low and wide footprint with gradually-sloping roofs and usually just one floor.
Casting
‘There’s half of a house left’: Bennington Lake works to pick up the pieces - WOWT
‘There’s half of a house left’: Bennington Lake works to pick up the pieces.
Posted: Sat, 27 Apr 2024 23:54:00 GMT [source]
In the 1940s, Frank Lloyd Wright, in particular, popularized a more accessible and site-specific style of Modern architecture, which softened some of the brutalism of earlier incarnations. Peaking in the 1920s and 1930s but still popular today, Mediterranean Revival style draws from an eclectic blend of Spanish Renaissance and Spanish Colonial, Italian Renaissance, Andalusian and Beaux-Arts influences. Commonly found in Florida and Southern California, these homes offer comfort and often integrate interior courtyards and landscaped gardens. Popular in America between 1915 and 1945, French-inspired styles were popularized by soldiers returning home from the World Wars. French Revival is really a cover-all term for several sub-styles, including Norman Cottage, Chateauesque, and French Eclectic.
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Their key motif is the arch, as decorative edging, around windows or often framing an elegant entranceway or portico. They are based on a style originating with the Spanish colonials in the sixteenth century and re-popularized by the 1915 Panama-California Exposition. The boom period for this architectural mode was the 1920s and 30s, as Hollywood hit its stride, and the demand for stylish residences grew. The original script by Alleca included elements of supernatural horror, which prompted the studio to reject it and bring in Ellsworth for rewrites. Principal photography began in March 2008 in Cape Town and Helderberg Nature Reserve and concluded in May. The Last House on the Left was theatrically released in the United States on March 13, 2009, and was a modest box office success, grossing $46 million against its $15 million budget.
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When athletic teen Mari Collingwood opts to hang out with her friend Paige in town rather than spend an evening in with her parents vacationing at the family's remote lake house, it marks the beginning of a night no one is going to forget. The initial work entailed peeling away layers of paneling, wallpaper, and paint to create gallery-like spaces for the clients’ growing art collection. The designers also elevated the staircases, which had curved banisters that were “too traditional and formulaic,” Carson says. Instead, they opted for slim, clean-lined oak handrails and black, steel balusters.
One organiser complained that the WHCA – which represents the hundreds of journalists who cover the president – has largely been silent since the first weeks of the war about the killings of Palestinian journalists. One of the few mentions of Gaza came from Kelly O’Donnell, president of the White House Correspondents’ Association (WHCA), who briefly noted some 100 journalists have been killed in Israel’s war on Gaza. At one point, the crowds chanted, “Western media we see you, and all the horrors that you hide”, while some protesters sprawled motionless on the pavement, next to mock-ups of bloodied flak vests with “press” insignia. Architect Richard Neutra's private residence in Silver Lake seemed radical at the time, a glass house with rooftop and balcony gardens. This unusual house was designed for him by Arthur L. Haley in the Arts and Crafts style; it retains its original interiors and furnishings. It sounds more like modern times than 1915, but Dr. Roy Lanterman was ahead of his time when he wanted to build a fireproof bungalow made of reinforced concrete.
Krug attempts to flee, but after being cornered by a traumatized Sadie and a chainsaw-wielding John, he is incapacitated by an electrocution booby trap. After a scuffle between her and Estelle, she falls into the backyard swimming pool where her throat is slit by Estelle. A storm forces Krug, Francis, Sadie, and Justin to seek refuge at a nearby house. Justin is the only one to deduce that the inhabitants, John and Emma, are Mari's parents, and intentionally leaves Mari's necklace on the counter to alert them about their daughter. When John and Emma find Mari barely alive on their porch, and the necklace on the counter, they realize that Mari's tormentors are the people in their guest house.
Remake
“Western media we see you, and all the horrors that you hide,” crowds chanted at one point. The style is intended to evoke a fairy-tale feeling, where imagination runs rampant. Red brick exteriors are common but always partnered with pastel-colored stonework or decorative painted wood.
They are often half-timbered, with wood paneling on the upper levels and stone or brickwork below. Modern versions of this style usually keep the low-angled, projecting eaves and large porches, whilst substituting more modern materials, exteriors with light colors, and additional upper floor space. Windows are often tall and rectangular with multiple panes, and these homes contain at least two stories. Typical detailing includes simple Greek or Roman-style columns or pediments and square chimney stacks. Due to their steeply raked roofs, the front elevation of these homes conceals the sides of the building.
Greenery, whirlybirds, and aircon do little to reduce heat in homes with dark roofs, project finds
For Craven and Iliadis, the film primarily illustrates how even the most normal of families can be driven to commit evil acts if pushed too far. In its February issue, Los Angeles magazine runs through 26 "classic" LA things (in alphabetical order), with entries for Cobb Salad, the Figueroa Street tunnels, the Rainbow bar, terrazzo sidewalks, Vin Scully, yoga, and more. "A," of course, is for all the awesome architecture, and the magazine put together this handy guide to 16 classic examples of LA houses. An election-year roast of President Biden before journalists, celebrities and politicians at the annual White House correspondents’ dinner Saturday butted up against growing public discord over the Israel-Hamas war, with large protests outside the event. One of the few mentions came from Kelly O’Donnell, president of the correspondents’ association, who briefly noted some 100 journalists killed in Israel’s 6-month-old war against Hamas in Gaza.
Like the exploitation films Night of the Living Dead (1968) and The Texas Chain Saw Massacre (1974), the film has received critical reevaluation years after release, with particular praise towards the narrative and performances of Peabody and Hess. It has since achieved a cult following and received a nomination for AFI's 100 Years...100 Thrills in 2001. In Craven's utterly bleak original, everybody dies except Mari's parents, who are now faced with the rather harsh comedown from a joyous, blood-soaked orgy of violence not-so-far-removed from the one they are purportedly punishing.
The major departure in the 2009 remake comes in its ending, when we discover that Mari survived being shot and left for dead in the lake, and has made her way back home. Mari's parents find her on the porch and proceed to take revenge on her attackers in brutal and gory ways that would have likely satisfied Craven, and the surviving family boats across the lake to take Mari to a hospital. From there, The Last House on the Left gazes blankly as the two young women are bound and gagged, driven out to the woods and subjected to abhorrent acts of violence and sexual abuse. Their struggle for survival is made all the more unnerving by the fact that the woods are right outside Mari’s home and the Keystone Cops her parents have summoned to search for her can do nothing about it.
Craven based it on the 1960 Swedish film The Virgin Spring, directed by Ingmar Bergman, which in turn is an adaptation of the Swedish ballad "Töres döttrar i Wänge".[3][4] Cunningham produced the film for $90,000 and used a cast of relatively unknown actors. Distributor Hallmark Releasing, in partnership with American International Pictures, gave him and Craven funding after the box office success of Cunningham's Together (1971). Over the years, The Last House on the Left has gained a reputation that’s as queasily polarized as its own swings between savage violence and slapstick comedy. On the one hand, it’s a high-minded debasement of Ingmar Bergman’s The Virgin Spring, as much a throbbing counterculture hangover as the Rolling Stones’ Altamont documentary Gimme Shelter was two years before. It took that long for the film to not be understood as a mere obscenity, without redeeming value.
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